Playful Letters

1-Day Workshop

Wednesday, July 7 at 9:00 AM CDT

All Skill Levels Welcome
Lettering

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Description

You look at the work of other calligraphers and admire the liveliness and expressiveness of their letterforms, but aren’t sure how to get it into yours.That’s what this workshop is about. It gives you the tools to make expressive letterforms, but better yet it gives you permission to PLAY! But this is serious play that will open up new doors and potentials to your letterforms. We will manipulate, jiggle and twist our pens. You will be guided through a number of directed exercises to help you “learn” to play. You will risk, drop your guard, make a mess, have a great time and surprise yourself with some of the liveliest and best lettering you’ve ever done!

Supplies

  • Automatic pen – size #3A (1/4”) or #4A (3/8”) or Pilot Parallel Pen – blue lid (6.0 mm) or green lid (3.8 mm). Pen manipulation is easier with a bigger pen. If you are less experienced, I would recommend you use a Parallel Pen.
  • Other pens – your choice (i.e. Brause, Mitchell, folded, pointed, quills, bamboo, felt or suede pens) in various sizes
  • Pelikan 4001 ink or Bister ink (any color) or walnut ink
  • Watercolor set (prefer Prang), or tube watercolor and palette
  • Layout bond paper pad (11” x 14” size is best, but smaller is fine) – Strathmore or Canson Sketch or Drawing pads would be ok; Canson “The Biggie Sketch Pad” for good, cheap practice paper – holds good fine lines
  • Few sheets of grid paper
  • Few sheets of tracing paper
  • Few pieces better papers (about 10 x 12” pieces), (Fabriano Ingres, Arches WC, Canson Mi-Tientes, Arches Text Wove) – scraps are fine – the more paper, the more possibility for experimentation
  • Mixing brush, water pot & rag or paper towels
  • Scissors & X-acto knife)
  • Glue stick
  • An adventurous spirit and a mind open to new ideas
  • Any and all tools you love, tools you hate, tools you had to have but haven’t ever used, tools you don’t know how to use
Gemma Black Legacies III

Click on photo to visit biography page
carriedesigns.com

WORKSHOP LINKS

YUKIMI ANNAND
Sequence: Journey of Experimental Calligraphy

PAUL ANTONIO
Fraktur In Its Glory

SUZIE BERINGER
The Unconventional Pointed Pen

GEMMA BLACK
Drawing the Fibonacci Sequence

TROY BOOKS
Itty Bitty Books

IVAN CASTRO
Basic Rudolf Koch:
Blackletter Und Neuland

MARCO CHIOINO
In Search of the Essential

ANNIE CICALE
Value Contrast: Exploring the Grey Areas
Word Meets Image on the Page

BARBARA CLOSE
Letters & Blossoms
Graphite Explorations

SUZANNE CUNNINGHAM
Beginning Copperplate Script

JUDY DETRICK
A Letter and a Rectangle

CAROL DUBOSCH
Ben Shahn Lettering
Bone Script: Bookhand with a Twist
Stamp Carving

DEBORAH DUTTON
Buttonhole Art Journal

JOANNE FINK
Contemporary Ensō Circles
Expressions of Faith

JESSIE FORA
(M) Handwritten: The Art of Tattoo Lettering

MARCIA FRIEDMAN
Morphing Monograms

CONNIE FURGASON
Season Leaves Booklet

RISA GETTLER
(M) Painting Knotty Letters
Visigothic Versals

TAMER GHONEIM
Gothic Lettering Magic with Procreate
Blackletter Circles on Steroids
Hand-Lettered Abstract Paintings

CLAUDIO GIL
Bruta LaGrafia, Calligraphy Beyond Styles 2-Day

MIKE GOLD
Breaking the Rules
Spontaneous Creation
(M) Variations in A

KEN HARRIS
Medieval Illuminating Techniques
Traditional Raised & Burnished Gilding

HEATHER HELD
The Glittering Vine
Victorian Frames & Labels

NANCY HILLS
(M) Learning to Sketch Out Celtic Knots

THOMAS HOYER
Dynamic Textures
Ruling Pens Beyond the Rules
The Alchemist’s Magic

CARRIE IMAI
Playful Letters
Mark My Words
(T) Mastering Italic
(M) Blame It On The Tools

GINA JONAS
Moto: Movement and Touch
(M) A Meditative Calligraphy Technique

ALINE KAORI
Mix and Match:
Calligraphy & Lettering as Design Tools

BILL KEMP
Engrosser's Script

SALMAN KHATTAK
French Roundhand
Introduction to Riqa Calligraphy (Arabic)
(M) Pen to Pixels
(M) Lines & Tines

ROB LEUSCHKE
Tool2Type

MARTA MAPELLI
Expressive Pointed Italic
Pointed Brush

HEATHER MARTINEZ
(M) Learn to Sketchnote!

ELIZABETH MCKEE
Pointed Brush for Beginners

GUI MENGA
Mix and Match:
Calligraphy & Lettering as Design Tools

HOLLY MONROE
Decorated Letters
Italic Lettering - Basics & Beyond
(M) The Business of Calligraphy
(M) Lettering on Vellum

SUZANNE MOORE
In the Glow of Gouache
Page Dazzle: Patent Leaf Gilding

BARRY MORENTZ
Morphing Monograms

LORNA MULLIGAN
Loosening Up With Calligraphy & Paint

MICHELE NIDENOFF
(M) Decorative Borders w/Simple Tools
(M) Watercolor & Lettering with Masking Techniques

AMY NIELSEN
(M) A Handwriting Called Petrarch

CORA PEARL
Monoline Lettering with a 'B' Nib
Monoline Lettering Techniques
(T) Foundation Tune-up Class
Hand Lettering with the Folded Pen

SALLY PENLEY
Sensational Sumi!
(M) Pastel Dusting Technique
(M) Pleated Scroll Book

JAN PICKETT
Creative Colour for All Occasions
Embossing with Extra Pizazz!
Letters Unlimited

ALI RICCARDO
Graffiti Writing - The New York Lesson
Rudolf Says

ROBBIE SASLOW
(M) Playing With Pens & Pencils
Round & Robust: Exploring Uncial
Simple & Semitic

LINDA SCHNEIDER
The Graceful Marker: Pointed Brush Script
Calligraphy on the Go!
Calligraphy on the Go! Writing On Glass

CAROL MEASURES SCOTT
(M) Captivating Color in Calligraphy

MARINA SORIA
The Empty Space, Womb of Shape
Weaving Words

JACQUELINE SULLIVAN
Cold Wax Calligraphic Abstracts
Markmaking, Words & Art
(M) Calligraphy & Mark Making with the Gel Plate
(M) Mini Book Madness

JANET TAKAHASHI
The Art of Miniature Painting & Lettering

NINA TRAN
Flourishes Unraveled

JERRY TRESSER
(M) The Techniques and Secrets to Raised Gilding

ELMO VAN SLINGERLAND
Broad-edged pen: Roman Capitals

MARK VAN STONE
Versals
Versals & White Vine Decoration

JURGEN VERCAEMST
Colorful Lettering Composition

JULIE WILDMAN
Akim Variations and Long Compositions
Alphabet Book
The Inside Curve Alphabet

ELEANOR WINTERS
Copperplate Boot Camp
Gothicized Italic