Wednesday, July 7 at 9:00 AM CDT
All Skill Levels Welcome
Lettering • Design • Drawing
My teachers were the Medieval artists who made the manuscripts that enthrall us today. Having deciphered their techniques by scrutiny and experiment, I employed their ingenious improvisatory decorations in my calligraphy work for decades.
These are the easiest and most improvisational Versal techniques, which is why they are so abundant in Medieval manuscripts. Like any improvisatory style, they have basic rules, but once these simple rules and methods are mastered, then the designs can grow organically.
- The usual calligraphic stuff: pens, inks, good paper, pencil & sharpener, eraser… Plus:
- Drafting pens (My preference: Pigma Micron, sizes 005, 01, 02, 03, 08), or any black-ink pen that makes an even line…
- “Bowl-Point” pen nib (and holder) for laying color… Speedball makes one, also most other pen manufacturers. (Like a fountain pen-nib). Crow quills if you like them
- Watercolors and mixing apparatus (I like a Carmex® jar for each color…)
- Brushes for laying solid color areas.
- Traditional colors: Red, Blue, Green, Yellow……but bring whatever colors turn you on.
Click on photo to visit biography page
Sequence: Journey of Experimental Calligraphy
The Unconventional Pointed Pen
Drawing the Fibonacci Sequence
Beginning Copperplate Script
A Letter and a Rectangle
Ben Shahn Lettering
(M) Handwritten: The Art of Tattoo Lettering
Season Leaves Booklet
(M) Learning to Sketch Out Celtic Knots
(M) A Meditative Calligraphy Technique
(M) Learn to Sketchnote!
Loosening Up With Calligraphy & Paint
CAROL MEASURES SCOTT
(M) Captivating Color in Calligraphy
The Empty Space, Womb of Shape
The Art of Miniature Painting & Lettering
ELMO VAN SLINGERLAND
Broad-edged pen: Roman Capitals
Colorful Lettering Composition
Akim Variations and Long Compositions